Shoushan Stone Figure of a Luohan, Qing Style
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Additional photographs, close-up views, and condition details are available upon request, whenever possible.
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Collection
Sculpture & Religious Art
Period
Qing Style
Overview
A finely carved Shoushan stone figure of a seated luohan, notable for its warm honey-toned stone, softly polished surface, and intimate devotional character.
Description
This small Shoushan stone carving represents a luohan seated in a relaxed yet composed posture, the figure’s rounded features and gently flowing robes conveying both calm dignity and approachable warmth. The figure is shown with a shaved head, elongated ears, and a faintly smiling expression, creating a mood of quiet contemplation rather than formal severity. Its compact scale gives the work an immediate sense of intimacy, while the smooth polish enhances the tactile appeal of the stone.
Particularly attractive is the character of the material itself. The stone displays a rich honey-yellow tone enlivened by naturally distributed reddish-brown veins and inclusions, which have been skillfully incorporated into the carving to animate the folds of the robe and the contours of the figure. This natural variation gives the sculpture visual depth and individuality, allowing the beauty of the material to play an equal role with the carving.
The luohan is accompanied by a small attendant creature at one side, adding a lively narrative touch to the composition and softening the devotional theme with a sense of charm and movement. Works of this kind are especially appreciated for the way they combine religious imagery, refined material, and cabinet-scale presence. This example is best understood as a sculptural scholar’s object as well as a devotional figure, valued for its warmth, serenity, and finely handled stone surface.
Details
Object Type: Religious Figure / Figure of a Luohan
Material: Shoushan stone
Subject: Seated luohan with small attendant creature
Height: 6.8 cm
Width: 4.5 cm
Weight: 133 g
Origin: China
Condition
Overall in good condition, with natural stone veining, minor surface wear, and age-related characteristics consistent with carved Shoushan stone of this type. Natural inclusions and tonal variation are in keeping with the material and contribute to the individuality of the piece.
Authenticity & Attribution Note
This sculpture is offered as a work in Qing style. The attribution is based on material, subject matter, carved form, and comparative visual judgment, and should be understood as stylistic rather than as an absolute guarantee of dynastic period or workshop origin.
We are happy to provide additional photographs, closer views, and condition details whenever possible. Serious inquiries are always welcome.